The Little Squirrel

Hey guys, I’ve been working in
this concept, it’s nothing new, but check this out. After teaching English to Korean kids for 4.5
months and getting exposed to a lot of children’s stories, they all got mixed
up with my disturbed post-modern post-structural processing of ideas, and
here’s what I came up with. By the way,
this is NOT for any academic purpose or
anything
, it’s just one of my
personal pastimes
and I’d love you’re help on it, if you are into these
kind of things (specifically if you are a deconstructionist like me).

 

NOTE:  THIS CONCEPT MAY NOT BE FIT
OR AGREED UPON BY SOME PEOPLE.

YOU
DON’T HAVE TO READ THIS IF YOU FIND YOURSELF UNINTERESTED.

 

OBJECTIVES:

 

basically, it should be in a form
of a story for children, so the vocabulary must be as simple as possible. I was hoping at least grade 2 level, but I
think some parts of the story would really need a little more complicated words
for intricate details. Well this is the
first part I’ll need help on: HELP #1: SIMPLIFICATION

since it is in the form of
children’s stories, I’m really planning on making it appear as it – I’m imagining a storybook with big texts and
illustrations per page.

 

Another aim of this story is to
put as much underlying and subliminal issues of intra/interpersonal, social,
psychological, political, and any other bullsh*t we could associate to, in each
character and event of the story. That’s
why I’m gonna need help on this: HELP #2: ANALYSIS. Bias it on every idealism you know, take
every approach you can (Marxist, Feminist, Religious, Social, psychological,
socio-psychological, Freudian <my personal fav>, Political, post-modern,
formalist, structural, stylistic, etc etc) Let’s try to extract every single meaning semantically, semiotically,
and stylistically as much as we can. There’s a lot of fun doing that (^_^)

 

MODIFICATIONS:

 

Formalistically, I had planned to
use a main character classified as a WTF
animal
, (a.k.a. “what the f*ck!?” animal) meaning an animal that nobody
really knows, probably a rare specie only found in the most unknown parts of
the earth, or some animal you only heard in Discovery channel or Animal
Planet. Preferably something cute, that why I thought of the rodent
class, in my draft I chose a ‘little squirrel’. See one of my main objectives is to make the main character lovable by the readers, thus invoking
more extreme pathos to the readers once he gets f*cked (not literally, you’ll
know what I mean when you read the story).

Something like when people read
the story, “There once was a little Skwama. What
the f*ck is a Skwama!?
” thus
fulfilling the formalist goal, to keep the reader wondering, or thinking,
asking around, or even researching on what
the hell is a Skwama
. (I have no
idea what a Skwama is, its just an example) But to keep the image of cute and
lovable
for the main character, it
must be shown either in description, or illustration. Maybe you could come up
with something? Whether it is a real existing rare unknown animal with a catchy
WTF name, or (as sir David Manaois suggested) just make a fictional one with a
catchy name, and never reveal that it is fictional thus leaving the readers
either deceived or searching for truth in vain. HELP
#3: our WTF Animal
.

 

The story I wrote is just a draft,
i really would appreciate suggestions, additions, modifications, and the likes
that would furthers enhance the story on our objective number 2 (maximizing the
associative issues). But I guess you
probably get the picture of this whole concept I’m talking about? A friend said that my Objective number 3 is
to make sure I cause nightmares to the children who read it. But I think a better objective, or challenge,
it to make the story appear so nice,
cute, lovable and great for children, given that the adults who might get a
copy of it do not read the ending yet. It must look so much like a simple nice child’s story, when in fact it
would probably be messing with the little kid’s head (evil laugh). But regardless of that, the aim of this
concept is basically post-structural in nature. And for me, integrating the sickest most profound issues into the
simplest children’s story is an art
in itself.

 

Again I am calling only to those
who are into these stuff, people who like analyzing, overanalyzing, and view
such cognitive processes as a pastime or leisure, people who love to
deconstruct, and those who do this for a living.

 

After this, maybe I’ll tell u
about the contingency  plan I am working
on of how to deconstruct PBB (Pinoy Big Brother) and be immortalized by it (evil laugh). But first I’ll have to pass the auditions.

 

–ioHann

09192160009

iohann@radio.fm

 

 

 

The Little Squirrel

By ioHann Garcia

 

There
once was a little squirrel got who bored in the woods, so he decided to live in
the city.  He walked for days until he
reached that place of which only few animals have ever returned from. There he experienced new things and wonders
that were never in the woods.

From
the small hole of a fruit store where he stayed, a man dropped a small gadget that
fell right by the squirrel’s hole. The
gadget had a small light that shone when you pressed it.  Discovering this, the squirrel was in awe and
amazement.

He
remembered his little sister in the woods.  She always got scared at night when the owls
hoot, she was always scared of the dark.

Then
he realized why he had gone to the city. He had a purpose, and it was to find that little gadget that will end
his sister’s scary nights, to bring home that special shining light that will
make his little sister happy and sleep soundly.

The
next day he decided to go back to the woods and share what he had seen and done
in the new world where he had gone to. But most importantly, he had to bring back the special gift for his
beloved sister.  He carried the little gadget
all the way to the woods. It was heavy,
and very difficult to carry, but all he could think of was his little
sister.

"I’m
doing this for her and nothing can stop me". He traveled without stop for thee days until
he did not have an ounce of strength left. He felt very tired and fell asleep.

When
the little squirrel woke up, he found himself deep in the woods. My, was he surprised when he realized his gadget
was gone! He searched and searched for a
whole day, but deep in the woods only grew darker and scarier.  Giving
up hope, the little squirrel sadly decided to go home to his sister.

When
he got to his old tree hole, he yelled "I’m home".  Nothing but silence echoed his cry.

"Where
is my sister?" he wondered to himself.

"If
you’re looking for your little sister, I’m afraid I must cry," an old weathered
owl hooted deeply from above.

"And
why will you cry, old owl, I might ask?" said the little squirrel with as
his eyebrows met.

"The
day you left your sister alone, the boa came along the second you were gone.  He crushed your sister until she couldn’t move
and swallowed her every inch until she was no more," the old owl said as
she burst in tears.

The
little squirrel fell on his knees hearing the old owl’s story. And then he cried, and cried, until he fell
asleep.

“Wake
up, squirrel! Quickly, we must see!” cried the newt as he woke the little
squirrel.

“What is going on? I am too sad to see” whispered the little
squirrel still drying his tears.

“All
the animals are gathered in the cove to see what Mighty Lion had taken from the
sky!”

The
Little Squirrel could that all the animals were rushing from left and right
towards the cove where Mighty Lion stood. He followed the newt along with the crowd of animals.

When
the newt and the little squirrel arrived at the cove, the afternoon sun had
already set. They were all the way at
the back because there were so many animals.

“We
humbly request, Mighty Lion, that you show us this treasure from the sky!” said
a monkey swinging on a tree.

“Behold,
all creatures of this land, I have taken a star from the sky!” roared Mighty
Lion for all the animals to hear. And
with a firm press of his paw on the rock, a small but bright light shone from
beneath.

“Amazing!” cried the animals in awe.

“Truly
you are most powerful, Mighty Lion, to have plucked a star from the great big
sky!” said the monkey with a respectful bow.

Instantly,
the little squirrel knew what they were seeing. The prized treasure under Mighty Lion’s paw was indeed the little gadget
of light that the little squirrel had lost — the little gadget of light that
he carried with all his might on his back for three days, the little gadget of
light he had taken care of just for his little sister.

“That’s
not a star!” cried the little squirrel all the way from the back.

All
the animals quickly turned to him in shock.

“And
who might you be, little pest, to deny me, the Mighty Lion!” roared Mighty Lion
angrily.

“I
have traveled into the city where I found that which you hold in your paw. I have brought it back for my sister, but it
disappeared when I fell asleep in the woods.” Said the little squirrel in a
small voice.

“What
is a city?” asked the newt.

“I
don’t know,” said the monkey.

“Liar!”
screamed Mighty Lion, “you dare steal my glory for yourself?”

“You
are too small to even carry a magnificent star!” yelled the monkey.

“Liar!
Liar!” chanted the mob of animals.

“I
am telling the truth! I have brought
that star here in the woods so my little sister will not cry anymore at night
when she is scared of the dark.” Pleaded
the little squirrel.

“So
now you say it is a star, you little imbecile! You do not even have a brain!” Roared the angry lion.

“Where
is this sister you say? We do not see
your sister!” said the monkey which brought the mob of animals in laughter.

“But…”
the little squirrel choked when he remembered the sad fate of his little
sister.

“He’s
guilty! Look at his face! He is nothing but a liar who wants to steal the glory
of our Mighty Lion!” announced the
monkey while he swung on the vines toward the little squirrel.

“Kill
him! Kill him!” roared the crowd, when Mighty Lion suddenly gave out a mighty
roar and silenced them.

“You
are lower than dust to even think of denying me! Leave this place and never return, you are
nothing but a pest in my kingdom!” said
the lion as all the animals yelled curses and insults.

The
little squirrel froze in fear and could not breathe as he watched the
threatening eyes of every single animal in the cove.

THUD! A big rock hit his cheek, and quickly brought
him back to his senses as warm blood flowed out. He turned away and ran with all his might to
the deepest and darkest part of the woods, hoping that he would disappear.

The
little squirrel could not cry out in fear, but big painful rolls of tears
flowed down his eyes, mixed with the blood on his cheek and down to the black
soil of the murkiest part of the forest. He did not stop running, until suddenly…

The
little squirrel felt he was swiftly lifted up the air by something, although he
could barely see in the dark, then quickly smashed into the ground. Then he felt his whole world pressing against
him. He could not breathe. He tried to scream, or cry, but instead a strong
gasp of air was pushed out of him. His
bones were starting to crack, and he was feeling warm and very cold at the same
time. The pain and agony was too much to
describe or even think of. Then the
excruciating unbearable pain started to turn into numbness as he felt sliding
in a warm and sticky tunnel. And then it
was quiet.

Somehow,
the little squirrel’s love for his little sister had formed a bond between
them. It was a powerful bond that
enabled him to sense or know when the presence of his beloved sister is
close. Now wonder that by the time the
little squirrel had returned to the woods, his special sense for his sister was
never present… which was later on explained by the old owl by their tree.

But
at that very moment, with the little consciousness left of the little squirrel
in an unknown tight and sticky place, something brushed on his broken
body. And right there, he knew… he was
with his little sister.

 

 

3 Responses to “The Little Squirrel”

  1. ioHann Says:

    from MEG ROXAS:

    after having gone through your project the first time, here are my initial observations.

    have you read how children’s storybooks are written? i mean the tone, the feel, the choice and arrangement of words? you still havnt got it. given that its a draft, reading it felt like reading a synopsis with dialogues. if you are to cloak it as an authentic, no-ill-intention storybook, you have to read the well-written authentic pieces.

    wala pa momentum. malaki kasi factor ng development sa kid’s stories. sobrang flat pa talaga siya.

    even if you’re speaking to an eight year old, this material is way to simplistic. you’ll find it very difficult to grab their attntion. kasi you don’t give a clear character for the squirrel. you’re dismissing it as a cuddly creature, walang motivation. bkit ganon niya gusto iprotect ung sister nya? walang silang kwento.

    tpos u refer to his sister as ’sister’ pero kng kid ka, hindi mo siguro tatawagin un na sister, a name to make her 3D. flat p rin kc ung scared-of-the-dark sister. wat makes her so scared? where are their parents?

    pos if she’s that scared, logically, why would ur protagonist go to the city and leave her alone?

    pos it seemed like ang tagal na ni squirrel sa city at muntik niya na makalimutan ung purpose niya. samantalang nung bumalik siya parang un na ung buong buhay niya? gets po? ^_^

    what would make ur story sinister are the motivations of the characters, the very essence of their presence sa story. ano ang part nila sa pagkawasak ng pagkatao (or pagka-squirrel for that matter) ni squirrel? bakit ung owl ung nagsabi kung asan ung sister pos ung snake binangit na kumain wala naman sa kwento. walang use ung snake, out-of-place sa development, pilit. ung owl nawala na rin sa destruction niya. okei pa siguro kung siya ung naging catalyst. kung my threat tlga ung squirrel kaya pinahamak niya sa lion or something. ung tulay-tulay ng relationships. paliitin mo mundo nila.

    be reminded lang na in writing every character and every action has an intention, lahat sila my goal na iffulfill. kung wala then they shouldnt be in the story.

    tapos keep ur characters minimal. mas konti mas simple, isang character isang idea.

    when u speak to a kid, its not the vocabulary that u keep simple, its the relationships and the intentions. limit a character to have one intention, one action development, one cloak or twist. the twist is optional, sa main characters na lang. pero ung actioncan be as simple as the owl taking the gadget from the squirrel and handing it to the lion, betrayal na agad un. the squirrel is innocent, the lion innocent, the owl manipulating.

    tpos i have a problem with calling the gadget ‘gadget’ be inventive. name it, think symbols. remember na hindi rin aware si squirrel na device siya. basta alam niya lang nagpproduce un ng light, ang alam ni lion nagpproduce un ng star.

    basta name everything close to what you want it to represent.

    twist the stereotypes, you can cloak the motivations or intentions pero keep the relationships consistent. draw it in chart para maayos. polish the logic of relationship. make clear how they do what they have to do, para clear ung subplot.

  2. ioHann Says:

    Re: from IOHANN:

    galing galing!!! i knew you were one of the best people to run to when it comes to this (^_^) thats why i sent it to you. i dont have ara’s email, but she’d probably bombard every detail too :) thanks thanks!!

    well i really did intend to make it a synopsis with dialogues (notice the great lack of details and events and stuff) its more like as outline of what i want to happen sana. yes, thank you for the detailed analysis, ill follow that closely :) i agree upon twisting, or even breaking stereotypes, but i dont want to break every single stereotype kc it would be too post-structural and confusing if u know what i mean (^_^) about the momentum, the building of story, the flatness of it, the lack of the pyramid factor, hehe– i really meant it to be like that, sorry. its an influence i guess of being an art film buff. its part of the deconstruction i guess. another intentional “flaw” in my story is formalistic in nature (^_^) the unjustified or illogical actions, like the squirrel going to the city for an unclear, unknown, unjustified reason or so. See the more na maasar and mapaisip yng reader, or the more they’re affected, the better! thats one of the main goals actually, surrealism or something as they’d call it in film. although i’ll have to agree on what another analyst told me (Thanks Zak!!) that my attempt to aesthetically fit this book for an 8 yer old would be impossible, if ever its gonna need ALOT of work.

    about the squirrels ‘purpose’, i wasnt able to make it clear i guess, supposedly he never knew his purpose until the very moment he discovered the gadget (yes ugly term. lets change that) anyway…

    i agree i have to develp the main character more as well as the others, making them 3D and all. have to get more ideas though.

    about motivations, ive been thru alot of childrens stories which capitalize on this. but i guess the consistency of my surrealist approach justifies why such motives dont even exist, or arent revealed. but i dunno yet. like i said stereotypes are still good in some ways.

    oh yeah, i really dig ur idea of the “iago” factor.. or the manipulator. yeah that something i could work on.

    thanks meggie u really gave me alot of insight (^_^)

  3. Joana Loretta Says:

    hey hann! im really not good in giving evaluations but here’s what i think. i hope it helps.

    if this should be a children’s story, i beleive its should be colorful, add imagery para mas maging interested yung makikinig. in fact you should write it as if everything is in front of you.

    second, i agree with your other friend’s comment about the characters- they’re too many and they lack a stable relationship. and another detailed comment, di ba lion yung ginamit mo? why dont you use an animal closer to the squirrel? like a possum. kc parang a layo ng difference between a lion and a squirrel. keep it in a closer smaller animal community kasi pag malaki na yung group ano pa yung point nang pambabato eh pwede na naman nilang lunuking ng buo yung squirrel. if it is in a smaller group mas realistic yung magiging yung pag-iiringan or ingitan nila, even yung pang-aagaw nung thing na umiilaw.

    oh well, so yun muna. i’ll wait for the revised version. tc man!

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